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STUDIES IN THE PRINTING, PUBLISHING AND PERFORMANCE OF MUSIC IN THE 16TH CENTURY

Boorman Stanley

Oprawa:
TWARDA

Wydawca:
Taylor and Francis

Data premiery:
2005-08-28

ISBN:
9780860789703

577,50 PLN
Wysyłamy w 21 dni

Opis produktu

The emergence of music printing and publishing in the early 16th century radically changed how music was circulated and how the musical source (printed or manuscript) was perceived and used in performance. This series of close studies of the structure and content of 16thcentury and early 17thcentury editions (and some manuscripts) of music draws conclusions in a number of areas printing techniques for music: the habits of different typesetters and scribes and their view of performing practice: publishers approaches to the musical market and its abilities and interests: apparent changes of plan in preparing editions: questions of authorship: evidence in editions and manuscripts for interpreting different levels of notation: ways in which scribes could influence performers decisions and others by which composers could exploit unusual sonorities.Contents: Introduction. Printing: The first edition of the Odhecaton A: Petruccis typesetters and the process of stemmatics: A case of work and turn halfsheet imposition in the early 16th century: Printed music books of the Italian Renaissance from the point of view of manuscript study: The Salzburg liturgy and singleimpression music printing. Publishing: Early music printing: working for a specialized market: Some nonconflicting attributions and some newly anonymous compositions from the early 16th century: The music publishers view of his publics abilities and taste: Venice and Antwerp. Performance: Notational spelling and scribal habit: False relations and the cadence: Two aspects of performance practice in the Sistine Chapel of the early 16th century. Indexes.Stanley Boorman is Professor in the Department of Music at New York University USA.

Data Publikacji: 2005-08-28
Wymiary: 680.39 gr

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